TITLE: Star Wars #1
AUTHOR: Jason Aaron
PENCILLER: John Cassaday
AUTHOR: Jason Aaron
PENCILLER: John Cassaday
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: January 14, 2015
PRICE: $4.99
RELEASED: January 14, 2015
Seeing the Star Wars comic
book license go back to Marvel was extremely bittersweet for yours truly. Dark
Horse had more than done right by everybody’s favorite galaxy far, far away.
Particularly in the last year and a half or so, when Brian Wood was penning a
title simply called Star Wars,
something of a throwback series featuring the classic characters we all know
and love. It was the same thing, in essence, that this book is doing.
But while Marvel has no shortage of A-list creators at its
disposal, and is undoubtedly capable of providing us quality books, the
company’s first crack at Star Wars in
the 21st century leaves something to be desired in the realm of
depth and logic.
Star Wars #1
brings Luke, Han, Leia, Chewbacca, C-3PO and R2-D2 to the Empire’s largest
weapons factory, with the intent to infiltrate and destroy. But little to they
know that Darth Vader himself is very near, and he’ll soon come face-to-face
with the young rebel who destroyed the Death Star….
On paper, it’s a simple but effective way to kick off a Star Wars series. Stick all your main
characters in the middle of an Imperial hotspot, and have them fight their way
out. Just like they did on the Death Star, just like the did at Cloud City,
just like they did on Endor, etc. Using this formula definitely helps capture
the classic Star Wars feel they’re
looking for.
Another crucial element in this respect is the issue’s
four-page replication of the Star Wars
opening title crawl. We’ve got a page dedicated entirely to “A long time ago in
a galaxy far, far away,” a two-page spread of the big Star Wars flash, and on the fourth page the issue gets its own
title crawl. Then, in typical Star Wars
movie fashion, we go to empty space, and a ship flies into frame. If you’re a Star Wars geek, they’ve easily got you at
this point. And low and behold the first hero we see is Han Solo, doing his
witty Han Solo stuff!
But the biggest selling point of this issue by far is seeing
John Cassaday draw Star Wars stuff. I
once read his artistic style described as “instantly iconic,” and that’s
certainly the case here. He’s got a great handle on the likenesses of ‘70s
Harrison Ford and Carrie Fisher. His Mark Hamill isn’t perfect, but that’s
forgivable. Hell, the man’s face literally changed between A New Hope and The Empire Strikes
Back. And unlike other artists who’ve done these characters, Cassaday’s
take on the Darth Vader death mask and C-3PO’s ever-distinguishable headcover
remain frozen and consistent throughout the issue. Elements from all three
classic films are incorporated into this issue, and if I were a betting man,
I’d say Cassaday had fun with this one.
All this said, this issue lacks a lot of the depth and heart
that made Brian Wood’s stuff so good. It relies on spectacle over substance.
Case in point, Luke’s use of the lightsaber. Yes, we all love lightsabers, but
I’m a firm subscriber to the Harry S. Plinkett philosophy on their overuse, and
how they can sometimes be a sign of lazy or bad writing.
In Star Wars #1 we
see Luke use the lightsaber to fight off a guy with a laser-whip weapon.
Shortly after cheaply paraphrasing a line from A New Hope, an off-panel fight ensues, during which all we see is
the lightsaber swinging for two panels. A splash page of Luke soon follows, the
ignited weapon in his hand. We also see Vader use his lightsaber later, though
only for an instant.
This is where I get a bit nitpicky: How proficient was Luke
with the lightsaber at this point? It’s heavily implied that this issue takes
place shortly after the Death Star was destroyed. So Luke’s knowledge about his
heritage and the Jedi ways, much less this new weapon (which he didn’t even use
in A New Hope) are still rather
limited. And yet he’s able to dispose of this guard pretty quickly.
My proposed solution? Give us a little more action by
extending this scene a page. Have this guard with the whip get the better of
Luke at first. But in the end, he perseveres and wins. This gives our young
hero a small victory, and we also get a sense that he’s grown a bit in
experience, but is still nowhere near where he wants to be.
An extra page for the scene with Luke might have eliminated
the completely contrived and ridiculous one in which we see Leia question Han’s
motivation for helping the rebels. In the middle of the Empire’s largest
weapons factory, on a mission that’s rather time-sensitive, Leia stops to thank
Han for his contribution, and ask him why he’d publicly associate himself with
the Rebel Alliance. She literally asks: “What is it you really want, Han Solo?”
At this point, even Han himself says: “Maybe now’s not really the best time…”
Also, why is Leia even on this mission? Why is one of the
Rebellions’ top leaders being sent into the middle of enemy territory? Hell,
they don’t even keep her in the Millenium
Falcon with Threepio. She’s directly in the line of fire. From a creative
standpoint, it’s obviously so we can have our three main heroes together. But
logistically, it makes no sense. Couldn’t they have found somebody else to toss
into this mess?
At the very least, Star
Wars #1 is pretty. But it’s also
frustrating. Look, we all love that classic Star
Wars stuff. Darth Vader, lightsabers, the big title crawl, etc. But imagery
from the classic trilogy can’t be the only
thing your issue has going for it, or it’ll fall flat. Especially considering
this is the first Star Wars issue Marvel
has published in decades! C’mon, guys. You can do better than this.
Written by: Rob Siebert
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