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Wednesday, July 9, 2014

The Next Big Thing on TV

      If you're not excited for the TV adaptation of American Gods you should be. Written by the master of modern fantasy, Neil Gaiman, American Gods is described in the official press release thusly: "The plot posits a war brewing between old and new gods: the traditional gods of biblical and mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity and drugs.  Its protagonist, Shadow Moon, is an ex-con who becomes bodyguard and traveling partner to Mr. Wednesday, a conman but in reality one of the older gods, on a cross-country mission to gather his forces in preparation to battle the new deities." 

          Intrigued yet?
       This just longs to be adapted for television. Notice I said television, NOT a movie. The content of this novel is just too rich, too dense and too thorough to be dealt with in two hours. 
       HBO had attempted to do an adaptation before but it proved too difficult to adapt. But Starz has found the right mix of creators to take it on. Michael Green (Heroes, the sincerely underrated Kings and the likewise under-appreciated 2011 show, The River) and Bryan Fuller (Hannibal, Dead Like Me, and one of my personal favorites Pushing Daisies) are finally realizing Neil Gaiman's ambitious vision. Gaiman will also serve as Producer for the show. There are many reasons this is the perfect trio to get this done. Most importantly, these three know how to deal with a mythology. One of the best parts of Heroes was its thorough and complex mythology. It did a good job dealing with complicated characters and their back stories. Fuller is no stranger to dealing with mythologies as Dead Like Me, Pushing Daisies, Wonderfalls and Hannibal all had intense mythologies.
       The most shocking part about this announcement is when you step back and realize that the best Neil Gaiman stories have yet to be adapted. His stories have found some success on the screen, both small and big. Coraline was a reasonably successful adaptation, mostly for its unique aesthetics. Stardust was also fairly successful, however it was not my favorite. Gaiman's Neverwhere was a short lived television series that he later adapted into a novel (kind of reverse adaptation). Gaiman's best works have widely been considered too complex to adapt, and for good reason. Sandman is perhaps the best comic book ever written (though an adaptation was announced featuring Joseph Gordon Levitt, I'll believe it when I see it). Anansi Boys, a spiritual sequel to American Gods, is just as rich as Sandman and its predecessor, and may figure into the American Gods adaptation as well as possibly finding a home on the BBC. And finally, of course, American Gods, arguably Gaiman's magnum opus, hasn't been adapted until now. 
       Perhaps the most exciting bit of news is arguably the most obvious: Neil Gaiman's involvement. No one is saying he's writing the episodes, directing the episodes or completely involved in the series at all. But the fact that he's a Producer means at least, if nothing else,  it's being done with his approval. The fact that he's involved in any capacity makes me extremely hopeful that it will be done right. We've seen too many adaptations of great material get ruined by inept writers and directors. With Gaiman being involved, I'm sure that he'll get it done right. Even without Gaiman, Fuller and Greene are more than capable of making this show a winner. I can't wait to hear casting announcements for the show; I would love to see Lee Pace (of Fuller's Pushing Daisies and Wonderfalls) in just about any role.

Tuesday, July 8, 2014

One Step Closer to 617: Logo

Two guys, one kitchen, a few beers, and two notebooks. For the past few years, we've been writing non-stop to give you the comic book you always wanted. No capes, no zombies, no aliens, but a comic book about characters and the exploration of their beliefs. A comic book where story is king. The birth of our stories began with our oldest, Shepherd. We decided to try a second story, No Rest for the
Wicked. Our most recent story and definitely our strongest one is 617.

Here's the premise: A plane collides with another in midair and the group of survivors crash into the Rocky Mountains. From there, it is something of a road story; the group trying to get back to society and what happens when they get back to “civilization” (it’s extremely crucial that "civilization" is in quotes). As they are attempting to trek down the mountain the group splits apart and comes across survivors from the other plane as well as many characters who know much more about their predicament then they are letting on. It’s sort of a mix of Y: The Last Man meets Christian and Norse mythologies. It is also (perhaps most importantly) a literal clash of Technology vs. Religion. You’ll see Valkyries, The Four Horsemen (who are evil/questionable historical figures you’ll certainly recognize who are attempting to earn their way back into God’s good graces,) Fenrir the Wolf, a few choice Angels and even the good ol' Antichrist makes an appearance (who may not appear as you might typically think about the Anti-Christ). We blend a lot of different mythologies and attempt to find the answer to "Life, the Universe and Everything" (hint: it's not 42).
The Creative Time:

Written by: Phillip Butehorn & Brian J. Harris
Art by: Jacob Eguren
Colored by: Luis Caballero
Lettered by: Justin Korthof
617 Logo by: Shawn Aldridge



Logo Attempt #1

Logo Attempt #2

Logo Attempt #3

Logo Attempt #4

617 logo for issue #1





Monday, May 19, 2014

The Illumi-Nerdi's 617: Behind the Writing

Ladies and gentlemen, boys and girls, Fanboys of all ages. The Illumi-Nerdi proudly presents to you, a comic book that you've subconsciously demanded: 617.

For the first time ever in the comic community, we're doing something sort of different. The fans, the readers, and the people get to vote......on our synopsis. Below are two synopses for one story. Instead of us playing  "Eeny, meeny, miny, moe:" you pick.  To the right of this post is the poll. Enjoy the reader and the art below.



Synopsis #1: A plane collides with another in midair and the group of survivors crash into the Rocky Mountains. From there, it is something of a road story; the group trying to get back to society and what happens when they get back to “civilization” (it’s extremely crucial that "civilization" is in quotes). As they are attempting to trek down the mountain the group splits apart and comes across survivors from the other plane as well as many characters who know much more about their predicament then they are letting on. It’s sort of a mix of Y: The Last Man meets Christian and Norse mythologies. It is also (perhaps most importantly) a literal clash of Technology vs. Religion. You’ll see Valkyries, The Four Horsemen (who are evil/questionable historical figures you’ll certainly recognize who are attempting to earn their way back into God’s good graces,) Fenrir the Wolf, a few choice Angels and even the good ol' Antichrist makes an appearance (who may not appear as you might typically think about the Anti-Christ). We blend a lot of different mythologies and attempt to find the answer to "Life, the Universe and Everything" (hint: it's not 42).


Synopsis #2: 617 is a strange mix of the supernatural and the metaphysical. It is a road story a la Y: The Last Man with a literal clash between Technology and Religion. You’ll see Valkyries, The Four Horsemen (who are evil/questionable historical figures you’ll certainly recognize who are attempting to earn their way back into God’s good graces,) Fenrir the Wolf, a few choice Angels and even the good ol' Antichrist makes an appearance (who may not appear as you might typically think about the Antichrist). We blend a lot of different mythologies and attempt to find the answer to "Life, the Universe and Everything" (hint: it's not 42).



Written by Phillip Butehorn & Brian Harris
Art by Jacob Eguren
Colored by Luis Caballero
Lettered by: Justin Korthof



Tuesday, May 13, 2014

Arrow Season 2 Finale: Five Things We Expect



1.    Everyone will band together to fight Slade and his army of Deathstrokes.                                        
The situation seemed pretty hopeless going into the second to last episode. Everyone was separated and the miracuru'd Deathstrokes were going around killing people. The various Arrow protagonists( and one antagonist) were all apart trying to deal with the problem and not doing that great of a job . However by the end of the second last episode of the season hope is given. Look for Sarah, Malcolm, Oliver, Felicity, Diggle, Thea, Detective Lance, and Laurel to rise up and stop Slade's plan together.



2. Slade will die.
I'm hesitant to expect this, but my gut feel is that he will die. I think that they will use the fact that he is hopped up on miracuru as a reason to kill him and not feel bad for it.(Plus he kinda killed Oliver's mom)  However since Tommy's death in last year's finale, Oliver has really taken to this stance of no killing (with a few minor exceptions). I feel that if he doesn't kill Slade, then he truly has evolved and put his murderous tendencies behind him, as well as really honor his fallen friend. So my expectation is that he's going to die, but my hope is that he won't. 



                                      
3.  Barry Allen will wake up.

Barry's introduction midway through the season was easily one of its strongest points. He was quirky, kind, and just an all around great character. Then he went into a coma and has been out of sight in the series, but not out of mind. He has been consistently referred to, especially by Felicity, and I think that they have kept him in the minds of the viewers for a reason. I can't see them ending the season with him still in a coma, seeing as The Flash series launches in September, and having the main character in a coma seems like an odd way to start the show. Look for Barry to wake up at some point in the episode and my guy feel is that it will be in the last clip of the episode.

4.  Oliver will Reveal his identity to Thea

All the lies, all the deception all the cover up will finally be undone. Oliver is going to tell Thea that he is indeed The Arrow. I mean I can't see him not doing it. Thea's mom is dead and she knows that Malcolm Merlin's her father. Her life has become unraveled in the last few episodes. It's time for the truth to finally take over and her to learn why her brother acts the way he does. It's time for a fresh start although it doesn't necessarily have to happen outside of Starling and by Oliver telling Thea she can stay and re-imagine her life in the city, and no longer have to worry.

 5. It's gonna be a pulse pounding, nerve wracking episode

Since the end of season one and the beginning of season two Arrow has seemingly been exciting and shocking week in week out. It seems like every episode there is a crazy cliffhanger and there is always a plot point introduced at the end. Look for the finale to follow suit with this trend. There are so many plot points that are currently hanging and most if not all should be tied up by the end of the finale. The payoff is finally here and it  airs this Wednesday at 8 P.M Eastern on The CW. Don't miss it, cause it's  going to be awesome!



Written by: Alexander Handziuk





Monday, May 12, 2014

T.I.N. Soldier's Review of All the Boys Love Mandy Lane.


The Incredibly Sarcastic Ramblings and Musings of an Adirondack Hermit Obsessed with all Things Spooky that keep you up at Night

Cy the Horror Guy
reviews
All the Boys Love Mandy Lane



Here it is boys and girls! After 7 long years of waiting white-knuckled and sweaty [well I was sweaty, anyway], Jonathan Levine's freshman effort, All the Boys Love Mandy Lane is here! Apparently while all the boys quite fancy Mandy Lane the studio didn't think much of her... Just what did I think, you say? Well, I'm glad you asked!

All the Boys Love Mandy Lane starts off very promising as a newly "endowed" Mandy Lane is invited to a school party with all the cool kids. Would you go? Sure you would! It's there we get the first glimpse of our heroines delicate psyche as something rather tragic happens while a bunch of underage, oversexed, unintelligent students are carrying on drinking and swimming with no adult supervision required. Who'da thunk it? To say it's like sneaking a peek into Pandora's Box is an understatement, and it makes me feel kind of dirty anyway. For this reviewer, all too much was given away at that opening party sequence. Did it ruin the viewing, however? I say nay, as Mandy Lane has proven to be quite the fun ride indeed! See what I did there?

From there the film flashes forward a year and the dark incident is put behind our dear Mandy and the rest of the unassuming town as best as possible. Not only has she risen in the ranks of the in-crowd, but she's also been invited on a very special outing with a group of kids she apparently has no use for and even less in common with... sounds great, eh? We then learn that her parents aren't in the picture and that something very mysterious has apparently happened to them. How mysterious you ask? So mysterious it's never touched upon again other than to say they died when she was a little girl. Enough said? Perhaps! However the movie does provide us, the viewer [and not just my multiple personalities], with enough information to make some assumptions of our own. And I have no qualms making an ass out of umption.

After a brief detour in the film, where we get to enjoy some beautifully captured images during a brightly lit montage sequence, we come to so and so's ranch away from home. It's there we meet the hunky Anson Mount, of Hell on Wheels Fame [come on, that show's f*#king awesome!], who's working as a farm hand for so and so's parents. Oh, he's also a war veteran who's allergic to cracking a smile and single handily responsible for ending a horrendous Cattle plague that had once threatened all the land. While on the ranch the group enjoys many family friendly activities such as drinking, smoking, swimming while drinking, snorting, huffing, popping pills, lurking in dark barns and smelly stalls while drinking, trimming pubic hair and trying to sleep with Mandy Lane.

Things take a turn for the worse when our teenage protagonists choose to play a deadly game of Truth or Dare. I say deadly only because it seems to rile up so many hormones the group can't possibly cope and from there their collective decision making truly does go downhill. Even for a horror movie. I mean, epically bad choices [like that time I wore a corduroy blouse. Don't ask]. The decided Jock of the group takes off to pout when the conversation switches to making fun of his penis. It's not a big deal, or so they say. Really, it's quite a big deal as it is almost entirely because of his choices that the rest of the group comes to their inevitable fate. Good guy that one.

Anson Mount shows back up to remind us all that he's still in the movie and scold the kids some for their reckless and irresponsible behavior. Not long after that the movie comes awfully close to a twist that would have literally blown my mind clean out of my head if they had actually followed through with it, teasing that Mandy Lane may be a lesbian. Had the filmmakers chose to go with this subplot I would have been completely sold just on the irony alone. All these guys, holed up in a ranch house, trying to sleep with this pretty girl who has no interest in them because she's into chicks. So close.

We also learn that the token black member of the group despises fireworks. So much so that he takes chase after the drunken, gun-toting stranger who fired the pretty "skyflowers" at the group while they were singing Kumbaya on the porch. Needless to say, it doesn't end well for him. However, as if in an effort to display good taste, he isn't the first to go. That's right, Mandy Lane is a movie that dispels stereotypes almost as quickly as it indulges them!

With several of their friends missing, the rest of the group chooses to call it a night and get some much needed shut-eye. It isn't until daybreak that the movie really gets going... and I mean that in the best way possible. For not only has the identity of the killer been revealed but someone finally says, "I think we need to get out of here." I would have to agree.

It's difficult to close on Mandy Lane, hehe, without giving away all too much of the films final big reveal. Suffice it to say, it provides a refreshing perspective on the tried and true Slasher-Sub genera. In all seriousness, is Mandy Lane a perfect film? Absolutely not. It often suffers the same pratfalls as the horror films it seeks to lampoon. Poor character dialogue, decisions made only to serve the plot, and in an effort to raise the bar of intelligence- skirts some pretty major back story. Just who is Mandy Lane and what is it that she's after? Yes, we're given enough information to make some guesses of our own, but it's all rather abstract. However, it's hard to say where parody ends and sub par writing begins. After all, isn't Mandy Lane meant to be a retooling of some of horror cinema's oldest conventions? And if so, wouldn't the poor dialogue and dumb decisions be accurate, even necessary? Something to think about, that's for sure.

Still, there's a lot going for it. I loved Amber Heard's portrayal of the titular character and her relationship with the disillusioned Emmet is handled quite well. The rest of the actors did the best they could with what they had, and even the cringe worthy dialogue was handled with gusto. Much credit to the director, Jonathan Levine, for handling the picture in such a way that it feels like it could be a spiritual successor to Toby Hooper's original Texas Chainsaw Massacre [albeit one with significantly less gore]. There's also a terrific use of freeze frame at play here and it bodes well for the films anachronistic tone. One scene in particular stands out for me, where we find our "villain" character chanting the school fight song before using the butt of his rifle to put his victim out of their misery. Freeze frame!

It's also to note that the film boasts a terrific soundtrack featuring some well done covers of yesterdays classics, such as "Sister Golden Hair" originally by America, as well as some fun tracks by The Go-Go's and The Eagles. Your ears won't get sleepy with this one no-no's! And I would be remiss if I didn't mention the amazing work of cinematographer Darren Genet, who shot the film as if it was a polaroid picture taken at sunset... and I for one love polaroid's and sunset! Fun fact: In recognition of his stellar lensing on Mandy Lane, Genet has gone on to... The Vampire Diaries? Apparently, there's no justice in this world. Hell, since when does one aspire to a Twilight/True Blood teenie-bopper rip? Money for nothing and your chicks for free? Play that cinematographer on the MTV? Classic Rock references are fun! End fun fact.

Finally, I'd like give a nod to the fun as hell F-YOU ending they went with. Even if I did see part of it coming, I was still taken slightly aback by just how dark they made our eventual killer. How neat is that? Even more, we have a teenage slasher flick with an R-rating, something most of us had thought to be extinct. Thank the Horror Gods the version we have isn't some horrendously edited down PG-13 affair.

And it's my opinion, that because of these flourishes, All the Boys Love Mandy Lane should go down as a modern horror classic. My rating, for what it's worth: 7.5/10.

I'd like to end my review with my favorite quote from the film, which I feel sums everything up quite nicely. And not just the movie itself, but all of life as we know it. "See, it gets big when it gets hard. They all get big when they get hard." Priceless.

Tuesday, April 22, 2014

The Illumi-Nerdi's The Mad Monk #1

This short story is only the beginning for us. A big thank you to Jason Copland for being a pioneer. One day on Facebook, Jason posted a bunch of original artwork for amateur writers to tell their original story. The artist of Daredevil and Robocop didn't have to, but he wanted to give back to the talent pool. There is no 'The Mad Monk' without him.

Thank you Jason Hanley, our letterer, for being patient. He gave our words life and that's a first time for us.

Now.

Go click on each page, and enjoy The Illumi-Nerdi's first comic ever, The Mad Monk.



















Sunday, April 20, 2014

The Mad Monk is Days Away.......

Written by us (Brian Harris & Phil Butehorn), Art by Jason Copland, and Letters by Jason Hanley.

Here's our teaser for The Mad  Monk.